THE HOUSE

A

CABIN

IN

THE WOODS

visitor view works of art

1979

When Carol Soucek King set out to build, she wasn't after something grand or imposing. She wanted a refuge that belonged to the land — hidden away in nature, more wild than refined. She found it on an unlikely but perfect spot: the last privately owned land in the Arroyo Seco, tucked beneath the great bridges, on the very ground where stone for the Colorado Street Bridge was quarried.

She was insistent on one thing above all — the house would lie low and entirely horizontal, holding to the ground rather than rising above it. Buff & Hensman answered with a house built from the inside out, its long horizontal lines settling into the hillside until architecture and arroyo became a single, symbiotic whole — close to the earth, quiet, and open to the wider world the Kings were helping bring closer.

ABOUT ADR

ABOUT GALLERIA

art gallery

1880's

SCOVILLE ROCK WALLS

3

UNIQUE STRUCTURES

47

YEARS A SANCTUARY

MORE SCULPTURE

THAN STRUCTURE

COLLEC-TIONS

A woman sitting and looking at a work of art.
Visitors looking at art paintings

A VISION

TAKING FORM

1979

The MAIN HOUSE

1985

THE PAVILION

1993

THE GAZEBO

2009

CITY OF PASADENA HISTORIC MONUMENT

MAIN HOUSE

The heart of Arroyo del Rey: a cruciform house of horizontal redwood, deep eaves, and a flat roof, nested into the slope so it never rises above the land. Inside, Navajo-white walls, redwood soffits, custom teak cabinetry, and etched-glass doors by Judy Jensen — no hallways, no formal separations, just one open flow from kitchen to dining to living, and a great room that connects to the master bedroom and music room. It opens on every side to the gardens, built for salons, reflection, and the creative life.

THE PAVILION

A retreat within the retreat — a detached writing studio in the garden. It keeps the language of the Main House in Douglas fir and deep overhang, but here Buff & Hensman used color for the first time: lavender cabinetry drawn from the silver-dollar eucalyptus on the grounds. Built-in desks, quiet light, a place made for contemplation and creation.

THE GAZEBO

Donald Hensman's final work here, completed after Conrad Buff's death. An open-air structure of stained Douglas fir and redwood, set against an 1880s Scoville stone wall — binding the house to Pasadena's deeper past. Open on three sides to oaks and eucalyptus, it is the culmination of Carol's collaboration with the architects, and the resting place of Don Hensman, Richard King, and Carol's German shepherd, Duchess.

pottery crafts
paintings in art gallery
paintings in art galleries

A LIVING

SANCTUARY

BOUN-DARIES


ARROYO DEL REY FOUNDATION

Arroyo del Rey Foundation is a 501(c)(3) tax-exempt nonprofit organization. Contributions are tax-deductible to the extent allowed by law.

CA Register of Charities and Fundraisers B20250205941, EIN# 39-2498401

NEWSLETTER

Subscribe for monthly Salon invitations and news from Arroyo del Rey.

pattern


ARROYO DEL REY FOUNDATION

Arroyo del Rey Foundation is a 501(c)(3) tax-exempt nonprofit organization. Contributions are tax-deductible to the extent allowed by law.

CA Register of Charities and Fundraisers B20250205941, EIN# 39-2498401

NEWSLETTER

Subscribe for monthly Salon invitations and news from Arroyo del Rey.

pattern


ARROYO DEL REY FOUNDATION

Arroyo del Rey Foundation is a 501(c)(3) tax-exempt nonprofit organization. Contributions are tax-deductible to the extent allowed by law.

CA Register of Charities and Fundraisers B20250205941, EIN# 39-2498401

NEWSLETTER

Subscribe for monthly Salon invitations and news from Arroyo del Rey.

pattern